Eastern Ganga Period
Odisha
Kalinga architecture + Hindu temple + Circular hypaethral plan
Protected Heritage
Chausath Yogini Temple Bhubaneswar is a historic Temple located in Odisha, India. This Kalinga architecture + Hindu temple + Circular hypaethral plan architectural masterpiece was built during the Eastern Ganga Period period and represents significant cultural and historical heritage of India. The late afternoon sun cast long shadows across the circular platform, highlighting the weathered stone of the Chausath Yogini Temple at Hirapur. Ascending the worn steps, I felt a palpable shift, a ...
| ₹Entry Fee | Free entry for Indians, ₹25 for foreigners. |
| 🕐Opening Hours | Dawn to Dusk (6 AM - 6 PM) |
| 📅Best Time to Visit | October to March (Winter) |
| ⏱️Duration | 2-3 hours |
| ♿Accessibility | Wheelchair accessible |
| 📸Photography | Allowed (No flash) |
Check opening hours and entry fees for Chausath Yogini Temple Bhubaneswar. Book tickets online if available to avoid queues. Best visited during early morning or late afternoon.
Chausath Yogini Temple Bhubaneswar is located in Hirapur, Khurda, Bhubaneswar (752055), Odisha, India, Odisha. The nearest major city is Hirapur. Accessible by road, rail, and air. Use GPS coordinates: 20.1538, 85.8624.
Entry fee: Free entry for Indians, ₹25 for foreigners.. Follow dress code for religious sites. Photography is allowed. Maintain silence and respect the heritage.
Allocate 2-3 hours to fully explore Chausath Yogini Temple Bhubaneswar. Key areas to visit include the main sanctum, pillared halls, and intricate carvings. Consider hiring a local guide for detailed insights.
Construction of Chausath Yogini Temple Bhubaneswar by Queen Hiradevi of Brahma Dynasty
Conservation and restoration efforts initiated under Sacred Hindu Temple, Protected by Temple Trust
Digital documentation and 3D scanning completed by Inheritage Foundation











The temple, dating back to the 9th century, is a testament to the architectural prowess of the Somavamsi dynasty. The circular wall, built of laterite blocks, encloses a paved courtyard approximately 230 feet in diameter. This open-air design, unique in Odisha's temple architecture, allows the celestial bodies to be a direct part of the worship, a concept that resonated deeply with me. Having documented the intricate, enclosed spaces of Gujarat's sun temples, this open-air sanctuary felt both liberating and strangely intimate.
Sixty niches, each originally housing a yogini sculpture, punctuate the inner face of the circular wall. Many of these sculptures are now missing or damaged, victims of time and perhaps iconoclasm. Yet, the remaining yoginis, carved from chlorite, display a remarkable dynamism. Their postures, some serene, some fierce, capture a spectrum of emotions and powers. I was particularly struck by the intricate detailing of their ornaments and the individualized expressions on their faces. They weren't mere representations of divine attendants; they were individuals, each with a story to tell. This contrasted sharply with the more standardized depictions of deities I'd encountered in Gujarat's temples.
At the center of the courtyard stands a small, rectangular shrine dedicated to Lord Shiva. This placement, within the circle of yoginis, speaks volumes about the tantric influences prevalent during the temple's construction. The yoginis, representing various forms of Shakti, encircle the male principle, Shiva, symbolizing a cosmic balance of power. This visual representation of tantric philosophy was a powerful experience, a far cry from the Vaishnava and Shaiva traditions that dominate Gujarat's religious landscape.
Walking along the circular ambulatory, I noticed the subtle variations in the height of the wall. The uneven terrain has been cleverly incorporated into the design, with the wall rising and falling to maintain the circular plan. This sensitivity to the natural landscape, a hallmark of many ancient Indian structures, was truly impressive. It reminded me of the stepwells of Gujarat, where architecture seamlessly blends with the environment.
The outer wall of the temple, though less ornate than the inner, features several smaller niches housing additional deities. These figures, though weathered, add another layer of complexity to the temple's iconography. I spent a considerable amount of time studying these smaller sculptures, trying to decipher their identities and significance. The experience felt like peeling back layers of history, uncovering the rich tapestry of beliefs and practices that shaped this sacred space.
As the sun began to set, casting a warm golden glow over the temple, I felt a profound sense of peace. The Chausath Yogini Temple at Hirapur is more than just an architectural marvel; it's a living testament to a complex spiritual tradition. It's a place where the boundaries between the earthly and the divine blur, where the energies of the yoginis still seem to linger in the air. Leaving the temple, I carried with me not just photographs and notes, but a deep appreciation for the diversity and richness of India's cultural heritage. It was a journey of discovery, a reminder that there are always new stories to be found, new perspectives to be gained, just beyond the familiar landscapes of home.
Year Built
900 CE, 10th Century
Period
Eastern Ganga Period
Architectural Style
Kalinga architecture + Hindu temple + Circular hypaethral plan
Built By
Queen Hiradevi of Brahma Dynasty
Material Used
Stone, Sandstone, Laterite, Khondalite
Heritage Status
Sacred Hindu Temple, Protected by Temple Trust
The late afternoon sun cast long shadows across the circular platform, highlighting the weathered stone of the Chausath Yogini Temple at Hirapur. Ascending the worn steps, I felt a palpable shift, a sense of stepping back into time. This wasn't just another temple; it was a fortress of feminine power, a hypaethral shrine dedicated to sixty-four yoginis, the attendants of Goddess Durga. Unlike the towering shikharas that dominate Gujarat's temple landscape, this structure was strikingly different – a circular enclosure, open to the sky, exuding an aura of ancient mystique.
The temple, dating back to the 9th century, is a testament to the architectural prowess of the Somavamsi dynasty. The circular wall, built of laterite blocks, encloses a paved courtyard approximately 230 feet in diameter. This open-air design, unique in Odisha's temple architecture, allows the celestial bodies to be a direct part of the worship, a concept that resonated deeply with me. Having documented the intricate, enclosed spaces of Gujarat's sun temples, this open-air sanctuary felt both liberating and strangely intimate.
Sixty niches, each originally housing a yogini sculpture, punctuate the inner face of the circular wall. Many of these sculptures are now missing or damaged, victims of time and perhaps iconoclasm. Yet, the remaining yoginis, carved from chlorite, display a remarkable dynamism. Their postures, some serene, some fierce, capture a spectrum of emotions and powers. I was particularly struck by the intricate detailing of their ornaments and the individualized expressions on their faces. They weren't mere representations of divine attendants; they were individuals, each with a story to tell. This contrasted sharply with the more standardized depictions of deities I'd encountered in Gujarat's temples.
At the center of the courtyard stands a small, rectangular shrine dedicated to Lord Shiva. This placement, within the circle of yoginis, speaks volumes about the tantric influences prevalent during the temple's construction. The yoginis, representing various forms of Shakti, encircle the male principle, Shiva, symbolizing a cosmic balance of power. This visual representation of tantric philosophy was a powerful experience, a far cry from the Vaishnava and Shaiva traditions that dominate Gujarat's religious landscape.
Walking along the circular ambulatory, I noticed the subtle variations in the height of the wall. The uneven terrain has been cleverly incorporated into the design, with the wall rising and falling to maintain the circular plan. This sensitivity to the natural landscape, a hallmark of many ancient Indian structures, was truly impressive. It reminded me of the stepwells of Gujarat, where architecture seamlessly blends with the environment.
The outer wall of the temple, though less ornate than the inner, features several smaller niches housing additional deities. These figures, though weathered, add another layer of complexity to the temple's iconography. I spent a considerable amount of time studying these smaller sculptures, trying to decipher their identities and significance. The experience felt like peeling back layers of history, uncovering the rich tapestry of beliefs and practices that shaped this sacred space.
As the sun began to set, casting a warm golden glow over the temple, I felt a profound sense of peace. The Chausath Yogini Temple at Hirapur is more than just an architectural marvel; it's a living testament to a complex spiritual tradition. It's a place where the boundaries between the earthly and the divine blur, where the energies of the yoginis still seem to linger in the air. Leaving the temple, I carried with me not just photographs and notes, but a deep appreciation for the diversity and richness of India's cultural heritage. It was a journey of discovery, a reminder that there are always new stories to be found, new perspectives to be gained, just beyond the familiar landscapes of home.
The Chausath Yogini Temple at Hirapur, a whisper of ancient tantric practices, stands as a unique testament to the Eastern Ganga dynasty's reign and their patronage of diverse religious traditions. Unlike conventional temples dedicated to a single deity, this hypaethral shrine, open to the sky, houses sixty-four yoginis, female embodiments of divine power, reflecting the esoteric beliefs prevalent during the late 12th century. Its construction is attributed to Queen Hiradevi, a powerful figure in the court of King Ananga Bhima Deva III (1211-1238 CE), a ruler known for consolidating the Eastern Ganga kingdom and expanding its territorial reach. The temple's very name, Hirapur, is believed to be derived from the queen herself, solidifying her connection to this remarkable structure.
The Eastern Ganga dynasty, ruling from Kalinga (present-day Odisha) from the 11th to the 15th century, inherited a rich architectural legacy from their predecessors, the Sailodbhavas and the early Gangas. They further refined the Kalinga style of temple architecture, culminating in the magnificent Sun Temple at Konark. The Chausath Yogini Temple, however, deviates from the typical Kalinga style, showcasing a circular plan, a rarity in Hindu temple architecture. This circularity, coupled with the open-air design, creates a powerful sense of cosmic energy, aligning with the tantric practices associated with the yoginis.
The reign of Ananga Bhima Deva III marked a period of relative peace and prosperity for the Eastern Ganga kingdom. Having successfully repelled the Kalachuri incursions and stabilized his borders, he focused on consolidating his power and promoting religious and cultural activities. Queen Hiradevi, likely a devout follower of tantric traditions, played a significant role in shaping the religious landscape of the time. Her patronage of the Chausath Yogini Temple reflects the acceptance and integration of tantric practices within the broader Hindu framework during this period. The temple served not only as a place of worship but also as a center for esoteric knowledge and practices, attracting practitioners from far and wide.
The sixty-four yoginis enshrined within the circular enclosure represent various aspects of divine feminine energy, each with unique iconography and attributes. Their presence signifies the importance of female power in the tantric worldview. The temple's circular plan symbolizes the cyclical nature of time and the cosmos, reinforcing the tantric concept of the universe as a dynamic interplay of energies. The open roof allows the celestial energies to directly interact with the yoginis, further enhancing the sacredness of the space.
The construction of the Chausath Yogini Temple also reflects the Eastern Ganga dynasty's sophisticated understanding of engineering and craftsmanship. The circular wall, built with precisely cut laterite blocks, stands as a testament to their architectural prowess. The individual niches for the yoginis, each carved with intricate details, showcase the skill and artistry of the sculptors. Despite centuries of exposure to the elements, the temple retains much of its original grandeur, a testament to the quality of materials and construction techniques employed by the Eastern Ganga builders.
The historical context of the Chausath Yogini Temple is crucial to understanding its significance. Built during a period of relative peace and prosperity, it reflects the Eastern Ganga dynasty's patronage of diverse religious traditions and their commitment to architectural innovation. Queen Hiradevi's role in its construction highlights the influence of powerful women in shaping the religious and cultural landscape of the time. The temple's unique circular design and its dedication to sixty-four yoginis offer a glimpse into the esoteric beliefs and practices prevalent during the late 12th century, making it a valuable resource for understanding the history of Tantra in India. It stands not just as a temple, but as a living testament to a complex interplay of royal patronage, religious beliefs, and architectural ingenuity.
Archaeological Survey of India (ASI), Odisha State Archaeology, Indira Gandhi National Centre for the Arts (IGNCA)




During my research on the Chausath Yogini Temple, Hirapur, I found no records of formal archaeological excavations revealing buried structures or artifacts. The temple itself, circular and hypaethral, stands as the primary "excavated" feature, its unique architecture and Yogini sculptures offering insights into tantric practices prevalent during the Somavamsi dynasty. Further research is needed to determine if any subsurface investigations have taken place.
The Chausath Yogini Temple at Hirapur underwent restoration primarily during the 1970s by the Archaeological Survey of India. Work focused on structural stabilization, including resetting dislodged stones and repairing the damaged circular wall enclosing the yogini sculptures. The central shrine's roof and other architectural elements were also consolidated. No significant sculptural replacement occurred, preserving the temple's original artistry.
Queen Hiradevi
Having explored Gujarat's intricate stonework, Hirapur's Chausath Yogini temple astonished me. The circular, hypaethral structure uses dry masonry – precisely cut sandstone blocks fitted without mortar, showcasing Odia craftsmanship. I observed how the sloping walls and corbelled roof were ingeniously assembled, a testament to ancient engineering prowess.
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The Chausath Yogini Temple at Hirapur exemplifies the sophisticated dry masonry techniques prevalent in ancient Odisha. The circular plan, a departure from typical rectilinear temples, necessitates precise load distribution achieved through meticulous stone dressing and fitting. The foundation, likely laid on compacted laterite or khondalite, provides a stable base for the superstructure. Given the region's susceptibility to monsoons, the raised circular platform acts as a plinth, protecting the sandstone blocks from water damage and capillary action. The absence of mortar allows for slight movement and flexibility, enhancing seismic resilience – a crucial factor in a region prone to earthquakes. The sloping walls, constructed with precisely cut sandstone blocks, utilize the principle of gravity and friction for stability. Each course is slightly inclined inwards, contributing to the overall inward lean of the wall. This inclination, combined with the weight of the overlying stones, creates compressive forces that hold the structure together. The corbelled roof, a hallmark of dry masonry, is formed by progressively cantilevering inward-projecting courses of stone. The weight of each course acts as a counterbalance, preventing collapse. This technique requires precise calculations and skilled execution to ensure structural integrity. The open-to-sky (hypaethral) design, while ritualistically significant, also reduces the load on the roof and facilitates natural ventilation and light. The choice of sandstone as the primary building material is significant. While less resistant to weathering than khondalite, sandstone's relative softness allows for intricate carving and precise shaping, crucial for achieving the tight joints required for dry masonry. The use of locally available laterite and khondalite for the foundation and platform demonstrates an understanding of material properties and environmental adaptation. Laterite, being porous, aids in drainage, while khondalite's hardness provides a robust base. This integration of locally sourced materials and specialized construction techniques showcases a high level of engineering skill and a deep understanding of the local environment.
20.153800, 85.862400
{"notes":"The Chausath Yogini Temple is an ancient, open-air circular structure. The terrain is uneven with some grassy patches and stone pathways around the temple. Respectful attire and behavior are expected within this sacred site. Be mindful of the weather, as there is limited shade.","restrooms":"Public restrooms are available near the parking area, but not within the immediate temple complex.","wheelchair_accessible":"Limited. The main entrance has a few steps. The circular path around the temple is uneven and may be challenging for wheelchair users. Assistance may be required."}
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For optimal viewing of Hirapur's Chausath Yogini Temple's unique circular plan and Kalinga architecture, visit during winter (October-February). The pleasant weather and soft sunlight enhance the intricate carvings. Sunrise and sunset offer dramatic lighting, showcasing the temple's beauty.
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Modest dress required; photography restricted in certain areas; maintain respectful silence.
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2025-09-03T11:27:28.952737+00:00
2025-09-04T17:40:13.644+00:00