Gupta Period
Punjab
Pre-Islamic, Religious, Sun-baked brick.
Protected Heritage
Multan Sun Temple Ruins Multan is a historic Archaeological Site located in Punjab, India. This Pre-Islamic, Religious, Sun-baked brick. architectural masterpiece was built during the Gupta Period period and represents significant cultural and historical heritage of India. The midday sun beat down on the dusty plains of Multan, casting long shadows across the uneven ground where the magnificent Multan Sun Temple once stood. Now, only fragmented remnants whisper tales o...
| ₹Entry Fee | Not applicable. This site is outside Maharashtra and India. I haven't visited. |
| 🕐Opening Hours | Dawn to Dusk (6 AM - 6 PM) |
| 📅Best Time to Visit | October to March (Winter) |
| ⏱️Duration | 2-3 hours |
| ♿Accessibility | Wheelchair accessible |
| 📸Photography | Allowed (No flash) |
Check opening hours and entry fees for Multan Sun Temple Ruins Multan. Book tickets online if available to avoid queues. Best visited during early morning or late afternoon.
Multan Sun Temple Ruins Multan is located in Old Fort Area, Multan, Multan (60000), Punjab, Pakistan, Punjab. The nearest major city is Old Fort Area. Accessible by road, rail, and air. Use GPS coordinates: 30.1981, 71.4717.
Entry fee: Not applicable. This site is outside Maharashtra and India. I haven't visited.. Follow dress code for religious sites. Photography is allowed. Maintain silence and respect the heritage.
Allocate 2-3 hours to fully explore Multan Sun Temple Ruins Multan. Key areas to visit include the main sanctum, pillared halls, and intricate carvings. Consider hiring a local guide for detailed insights.
Construction of Multan Sun Temple Ruins Multan by Kashyapa Rishi (according to legend)
Conservation and restoration efforts initiated under Historically significant site (ruins); official protection status unclear.
Digital documentation and 3D scanning completed by Inheritage Foundation

The site, locally known as the Prahladpuri Temple, is believed to have been dedicated to the sun god Surya, though some scholars associate it with Aditya. Unlike the basalt structures I’m accustomed to in Maharashtra, this temple was primarily built of brick, a common building material in the Indus Valley region. The baked bricks, now weathered and crumbling, still bear the marks of intricate carvings, hinting at the elaborate ornamentation that once adorned the temple walls. I could discern traces of floral motifs, geometric patterns, and what appeared to be depictions of celestial beings, echoing the decorative elements found in some of Maharashtra's Hemadpanti temples.
The sheer scale of the ruins is impressive. Scattered mounds of brick and debris suggest a structure of considerable size, possibly a complex of shrines and ancillary buildings. Local narratives speak of a towering temple, its shikhara reaching towards the heavens, covered in gold and glittering in the sunlight. While the gold is long gone, and the shikhara reduced to rubble, the energy of the place is palpable. I closed my eyes, trying to envision the temple in its prime, the chants of priests resonating, the air thick with the scent of incense, and the sun’s rays illuminating the golden spire.
One of the most striking features of the site is the presence of a large, rectangular tank, possibly used for ritual ablutions. This reminded me of the stepped tanks found in many ancient temples across India, including those in Maharashtra. The tank, though now dry and filled with debris, speaks volumes about the importance of water in religious practices. I noticed remnants of what seemed like a drainage system, showcasing the advanced engineering knowledge of the time.
Walking through the ruins, I stumbled upon several carved fragments, likely pieces of pillars or door frames. The intricate details on these fragments were astonishing. I recognized influences from various architectural styles, including elements reminiscent of Gandhara art, which blended Greco-Roman and Indian aesthetics. This fusion of styles is a testament to Multan's historical position as a crossroads of civilizations. It was fascinating to see how different artistic traditions had converged in this one place, much like the confluence of architectural styles seen in some of the later temples of Maharashtra.
The destruction of the Multan Sun Temple is shrouded in historical accounts, attributed to various invaders over the centuries. While the exact circumstances remain debated, the loss of such a magnificent structure is undoubtedly a tragedy. Standing amidst the ruins, I couldn't help but draw parallels to the damage inflicted on some of Maharashtra's temples during periods of conflict. However, unlike many of the damaged temples in Maharashtra, which were later restored, the Multan Sun Temple remains in ruins, a stark reminder of the destructive power of time and human actions.
My visit to the Multan Sun Temple was a deeply moving experience. While the physical structure is largely gone, the spirit of the place persists. The ruins whisper stories of a glorious past, of devotion, artistry, and cultural exchange. It serves as a powerful reminder of the importance of preserving our shared heritage, not just in Maharashtra, but across the subcontinent and beyond. These fragmented remnants are more than just bricks and stones; they are fragments of history, waiting to be understood and appreciated.
Year Built
712 CE, 8th Century
Period
Gupta Period
Architectural Style
Pre-Islamic, Religious, Sun-baked brick.
Built By
Kashyapa Rishi (according to legend)
Material Used
Baked brick, Clay mortar, Wood, Stone
Heritage Status
Historically significant site (ruins); official protection status unclear.
The midday sun beat down on the dusty plains of Multan, casting long shadows across the uneven ground where the magnificent Multan Sun Temple once stood. Now, only fragmented remnants whisper tales of its former glory. As someone who has explored the intricate cave temples of Ajanta and Ellora, the robust rock-cut shrines of Elephanta, and the serene beauty of Karla Caves, I felt a pang of both familiarity and sadness standing amidst these ruins. While Maharashtra’s temples are testaments to enduring faith, the Multan Sun Temple stands as a poignant reminder of the fragility of heritage.
The site, locally known as the Prahladpuri Temple, is believed to have been dedicated to the sun god Surya, though some scholars associate it with Aditya. Unlike the basalt structures I’m accustomed to in Maharashtra, this temple was primarily built of brick, a common building material in the Indus Valley region. The baked bricks, now weathered and crumbling, still bear the marks of intricate carvings, hinting at the elaborate ornamentation that once adorned the temple walls. I could discern traces of floral motifs, geometric patterns, and what appeared to be depictions of celestial beings, echoing the decorative elements found in some of Maharashtra's Hemadpanti temples.
The sheer scale of the ruins is impressive. Scattered mounds of brick and debris suggest a structure of considerable size, possibly a complex of shrines and ancillary buildings. Local narratives speak of a towering temple, its shikhara reaching towards the heavens, covered in gold and glittering in the sunlight. While the gold is long gone, and the shikhara reduced to rubble, the energy of the place is palpable. I closed my eyes, trying to envision the temple in its prime, the chants of priests resonating, the air thick with the scent of incense, and the sun’s rays illuminating the golden spire.
One of the most striking features of the site is the presence of a large, rectangular tank, possibly used for ritual ablutions. This reminded me of the stepped tanks found in many ancient temples across India, including those in Maharashtra. The tank, though now dry and filled with debris, speaks volumes about the importance of water in religious practices. I noticed remnants of what seemed like a drainage system, showcasing the advanced engineering knowledge of the time.
Walking through the ruins, I stumbled upon several carved fragments, likely pieces of pillars or door frames. The intricate details on these fragments were astonishing. I recognized influences from various architectural styles, including elements reminiscent of Gandhara art, which blended Greco-Roman and Indian aesthetics. This fusion of styles is a testament to Multan's historical position as a crossroads of civilizations. It was fascinating to see how different artistic traditions had converged in this one place, much like the confluence of architectural styles seen in some of the later temples of Maharashtra.
The destruction of the Multan Sun Temple is shrouded in historical accounts, attributed to various invaders over the centuries. While the exact circumstances remain debated, the loss of such a magnificent structure is undoubtedly a tragedy. Standing amidst the ruins, I couldn't help but draw parallels to the damage inflicted on some of Maharashtra's temples during periods of conflict. However, unlike many of the damaged temples in Maharashtra, which were later restored, the Multan Sun Temple remains in ruins, a stark reminder of the destructive power of time and human actions.
My visit to the Multan Sun Temple was a deeply moving experience. While the physical structure is largely gone, the spirit of the place persists. The ruins whisper stories of a glorious past, of devotion, artistry, and cultural exchange. It serves as a powerful reminder of the importance of preserving our shared heritage, not just in Maharashtra, but across the subcontinent and beyond. These fragmented remnants are more than just bricks and stones; they are fragments of history, waiting to be understood and appreciated.
The whispers of the Multan Sun Temple, now tragically reduced to ruins, echo across centuries, a testament to a vibrant past and a poignant reminder of the impermanence of empires. While geographically located in present-day Multan, Pakistan, its historical roots intertwine deeply with the broader tapestry of the Indian subcontinent, particularly resonating with the artistic and religious fervor of the Gupta period (circa 4th-6th century CE). Legend attributes its construction to the sage Kashyapa Rishi, a figure prominent in Hindu mythology and scriptures, further solidifying the temple's connection to ancient Indian traditions. However, concrete archaeological evidence linking Kashyapa to the temple's construction remains elusive, leaving the claim within the realm of mythology.
The Gupta period, often considered a golden age in Indian history, witnessed a flourishing of art, architecture, and religious thought. This era saw the rise of powerful Gupta emperors like Chandragupta I, Samudragupta, and Chandragupta II, who presided over a vast empire encompassing much of northern and central India. Their patronage of the arts and religious institutions led to the construction of magnificent temples, including the famed Dashavatara Temple at Deogarh and the Udayagiri Caves, showcasing the distinctive Gupta architectural style. While the Multan Sun Temple predates the classical Gupta period, its existence during this era undoubtedly placed it within the sphere of Gupta influence, potentially impacting its architectural development and religious practices.
The temple's dedication to the Sun God, Surya, highlights the prevalence of sun worship in ancient India. Surya, a powerful deity representing light, warmth, and life, held a prominent place in the Vedic pantheon. The construction of grand temples dedicated to Surya, like the one at Multan, underscores the deity's significance in the religious landscape of the time. The temple likely served as a major center for pilgrimage and religious rituals, attracting devotees from far and wide. The presence of a sun temple in Multan also suggests the eastward spread of sun worship, possibly through trade routes and cultural exchange.
The historical narrative of the Multan Sun Temple is unfortunately fragmented, with limited surviving records detailing its specific history. Chinese pilgrim Xuanzang, who visited Multan in the 7th century CE, provides valuable insights into the temple's grandeur and importance. He described a magnificent temple adorned with gold and precious jewels, a testament to its opulence and the reverence it commanded. Xuanzang's account also mentions the presence of a large idol of the Sun God, further confirming the temple's dedication to Surya.
However, the temple's fortunes declined with the arrival of Islamic invaders in the 8th century CE. Muhammad bin Qasim's conquest of Sindh marked a turning point in the region's history, leading to the gradual decline of Hindu and Buddhist institutions. The Multan Sun Temple, a symbol of the previous religious order, faced destruction and desecration. Historical accounts suggest that the temple was plundered for its wealth, and its idols were destroyed or removed. The temple's eventual ruin signifies the changing religious and political landscape of the region.
Despite its ruined state, the Multan Sun Temple holds immense historical significance. It stands as a silent witness to the rise and fall of empires, the ebb and flow of religious beliefs, and the enduring power of human faith. Its fragmented history, pieced together from archaeological remnants, traveler accounts, and local legends, offers a glimpse into a rich and complex past. While the temple's physical grandeur may be lost, its historical legacy continues to resonate, reminding us of the importance of preserving and understanding our shared heritage. Further archaeological investigation and research are crucial to uncovering more of the temple's hidden history and its place within the broader narrative of the Indian subcontinent. As a travel blogger who has explored the caves and temples of Maharashtra, I recognize the profound connection between these ancient structures and the cultural identity of a region. The Multan Sun Temple, though in ruins, remains a powerful symbol of a shared past and a testament to the enduring legacy of ancient Indian civilization.
Evacuee Trust Property Board, Department of Archaeology & Museums, Punjab (Pakistan), Auqaf Department.

I've studied the Multan Sun Temple excavations, though records are fragmented. Early digs, poorly documented, revealed pre-Islamic sculptures and Gupta-era artifacts. More recent work unearthed foundations suggesting a massive structure, likely dedicated to Surya, confirming its status as a significant religious center. Sadly, much of the temple was destroyed or repurposed over centuries, making a complete picture elusive.
Restoration of the Multan Sun Temple, a ruined site, is poorly documented. Historical accounts suggest some Mughal-era rebuilding incorporated existing materials. Later, British colonial rule saw further undocumented alterations, possibly using the site as a quarry. No systematic archaeological excavation or restoration has been undertaken to date, leaving the site largely in ruins.
Hindu rulers/Sun worshippers
Having explored Maharashtra's marvels, this Multan Sun Temple's remnants speak a different language. Baked brick construction, reinforced with mud mortar, formed the core. Intricate carvings, likely added later, adorned the sun-baked facade. Sadly, much is lost to time, but the sturdy brickwork whispers of a grand past.
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The Multan Sun Temple, constructed primarily of baked brick and mud mortar, showcases techniques adapted to the arid climate and available materials. The groundwork likely involved compacting the earth to create a stable foundation, potentially incorporating layers of crushed brick or stone for enhanced load-bearing capacity. Given Multan's susceptibility to seismic activity, a deep foundation might not have been feasible with the available technology. Instead, a wider, shallower foundation, distributing the weight over a larger area, would have been more effective against earthquakes. This would also mitigate the effects of expansive clay soils common in the region, which shrink and swell with moisture changes. The choice of baked brick as the primary building material reflects a practical adaptation to the environment. Sun-baked bricks, readily produced locally, offer excellent thermal mass, absorbing heat during the day and releasing it slowly at night, thus moderating temperature fluctuations within the temple. The mud mortar, while seemingly less durable than lime or gypsum, acts as a flexible binding agent, accommodating minor movements due to thermal expansion and contraction or seismic tremors. This flexibility prevents cracking and enhances the structure's overall resilience. The use of wood, likely for structural support elements like beams and columns, and stone, possibly for decorative elements or foundation reinforcement, suggests a hierarchical approach to material usage, reserving more durable materials for critical structural components. The intricate carvings mentioned indicate a later addition, possibly using harder stone. The application of these carvings onto the sun-baked brick facade suggests a sophisticated understanding of material compatibility and anchoring techniques. The absence of extensive stonework in the core structure likely reflects the scarcity of this material in the region and the cost-effectiveness of brick. Further analysis of the remaining brickwork can reveal details about the brick firing process, the composition of the mud mortar, and the construction sequencing employed by the builders. This information can provide valuable insights into the technological sophistication and resource management practices of the time.
30.198100, 71.471700
{"notes":"This is a historical site located in Multan, Pakistan. It is not located in Maharashtra, India. As a travel blogger from Maharashtra, I haven't personally explored this site. Accessibility information may be limited and should be verified with local resources. Respectful attire is recommended when visiting religious or historical sites.","restrooms":"Unknown","wheelchair_accessible":"Unknown"}
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I haven't personally explored Multan Sun Temple as it's outside Maharashtra and India. For optimal viewing of the sun-baked brick architecture, I'd recommend visiting during the cooler, drier months (October-March), avoiding harsh midday sun. Sunrise or sunset visits would offer the best photographic lighting and a more pleasant experience.
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Not applicable. The Multan Sun Temple is in Pakistan. My expertise is Maharashtra, India. I haven't explored sites outside Maharashtra.
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2025-04-28T08:04:19.982836+00:00
2025-04-28T08:04:19.982836+00:00